This series of intricate textile works was originally conceived within the context of my Americana series, developed several years prior as a thematic exploration of Western motifs and narratives. The series was specifically commissioned for Lincoln Center’s production of the opera The Girl of the West, serving as a visual articulation that interrogates notions of feminism within the cultural landscape of the American West. Following the exhibition, each piece was professionally framed and subsequently sold as individual artworks. The series also features prominently in my publication, Luscious Threads, where it further articulates themes of gender, identity, and regional homage.
The particular tapestry depicting Rosie was realized using a meticulous process involving upcycled military surplus jackets and vintage Americana fabrics, creating a textured and layered background. The work comprises 324 discrete blocks, each measuring 4 by 4 inches. These blocks were individually embroidered with intricate detail before being assembled into the larger composition through traditional quilting techniques. For added structural integrity and aesthetic richness, the backing and border incorporate vintage wool military blankets, imparting tactile depth and historical resonance. The edge of the tapestry is adorned with leather tassel trim and a custom-embroidered border, enhancing its layered formal qualities. Four silver conch shells are situated at each corner, functioning as both decorative elements and symbolic markers. The piece is mounted using a custom oak hanging system, providing a contemporary presentation that accentuates its craftsmanship.
Overall, this is a unique, one-of-a-kind work measuring 74 inches in height and 72 inches in width (not including fringe), embodying a confluence of craft, narrative, and cultural symbolism.
72x74
2025
